Another Guitar God uncovered during closet archaeology

His name is Knock. Untuner of guitars, God of the open mic. Legend says if you say his name three times from the stage, someone will loosen your teeth for you with their fists. (circa 1994)
Another Guitar God uncovered during closet archaeology
His name is Knock. Untuner of guitars, God of the open mic. Legend says if you say his name three times from the stage, someone will loosen your teeth for you with their fists. (circa 1994)
The Elimination of Middlemen
Moore’s law, put simply, states that computing power will double every eighteen months. This was predicted back in 1965 at the dawn of modern computing and has so far held true. What used to be a precious and costly commodity is now being produced at an exponentially faster rate. Some find this humorous, in a sardonic way. To others it is overwhelming.
The Commodore 64 when it was introduced boasted sixty-four kilobytes of RAM, all within that ‘little’ box. There is the famous quote from one of the pioneers in the industry where he can’t ever foresee anyone needing more than 64k. Only a decade earlier such an extravagant amount of memory would require an entire building. Nowadays memory is so cheap you can easily afford to store a well-stocked bookstore on the phone in your pocket.
It’s amazing how far we have come. When Moses came down from Mount Sinai it took two tablets to hold ten short paragraphs. Nowadays even the most basic tablet or ereader can store dozens, even hundreds, of books in their entirety.
Static
Damn. How did so much time get away from us?
It’s like one minute you are standing in the middle of a warehouse in the early nineties, high on cheap beer, brown weed, teenage freedom and rock and roll; next thing you know it’s a different century and a different world, and everyone is compartmentalized and plastic and isolated.
Yes, we are getting older. Some of us, not all of us survived.
And one has to wonder sometimes, who is the winner in this game? The ones who checked out early? The ones who missed so many years? Those of us left behind? To carry on, to trudge forth even as we see everyone and everything around us crumbling.
These days I’m not so sure.
I crawled out of a cave. I fell asleep sometime in the last century and woke up here. In a museum, in a cheap science fiction movie. Here, we are both the spectators and the spectacle.
This hallway is black. Not dark. Black. Light doesn’t dare traverse it’s expanse. There are glimpses of neon here and there, but it’s impossible to tell if they are real or hallucination. The absence of light makes the hallway feel immense, long, possibly unending. That’s another scary notion. Eternity. The thought that there may be no end to this.
And then we must ask ourselves again, which is worse? The eternal shuffling toward nothing, or the exit too early; the ones we have lost, who have fallen along the way. Are we sad they have gone? Or is it only us growing ever lonelier as they one by one depart?
I looked for you. I looked forward to reconnecting.
You wouldn’t recognize the place. Everything has changed since you left.
We’ve torn down nature and put up a plastic nature replica. It will last forever, and it doesn’t get messy like the real thing. We still aren’t sure if the birth defects are a direct result of the synthetic natural plastic alloy or merely a coincidence, but we aren’t letting it slow us down either way.
The streets are emptier too. You would get along a little better with less traffic, fewer distractions to fight for your attention. You see that’s where there was a bookshop. That used to be a record store. This was a Wags before it was a Perkins before it was a Bakers Square before it was the Sunshine Breakfast Club before it was finally abandoned and left to rot away.
This used to be the beach. Our beach. I wish I could say they left this one alone.
It almost feels the same, the yellow moon peeking down through slivers of cloud. That breeze that always hints of winter, even in August, always reminds you of how cold it could be.
As if it had any idea.
Nothing that lives or breaths or moves really knows anything of the true cold. The freezing. The motionless waiting, staring. Stuck in your tracks. So cold you can’t even feel it anymore.
It doesn’t matter, you wouldn’t recognize this anyway. It is not ours. This is no longer the world we knew.
This. You see this? This passes for sand. I know. It is cleaner. It doesn’t get in your shoes and stuck in every crevice. This is static. This is electronic noise, pixels, bits of information formed to resemble the granules we knew growing up but without all the mess.
Maybe that’s how they’ve done it. Maybe that’s how the rug was pulled out from under us. Maybe they filled up all the hourglasses with this synthetic sand. It bought them all the time in the world.
There was a point I was trying to make. There was something I wanted to say to you, but I seem to be only rambling. I’m sorry to waste your time. You would have laughed at that one. The idea of wasting time. Maybe you had it right all along, you and the Mad Hatter.
Maybe yours was the right move. Maybe I’m worse off for witnessing this. Maybe it is you who escaped and I who am trapped. Imprisoned in black iron, indeed the empire never ended.
Still, I thought there would be more time. I thought we would meet again. Even if it was out here in the fringes of reality. This crumbling pier hanging precariously over the edge, over nothing, a bottomless pit of black frozen emptiness.
©Robert Emmett McWhorter
Life Under the Letters
Today is Ragnarok, the Viking version of ‘end of the world’ mythology. Experts are expecting things to progress in a smooth, orderly fashion. I think we have all learned much from the recent Mayan apocalypse, The Rapture, The oft-forgotten zombie apocalypse and of course Y2K.
As events commence later this afternoon when the sun is being eaten by an enormous cosmic wolf, all Vikings and people with substantial Nordic heritage should form a single file line, and kindly await notice before exiting.
Screaming and panicking will only be permitted in predetermined screaming and panicking zones, please consult your local apocalyptic protocols for the nearest location.
Parents of young children should make sure their own spirit has been safely released from the mortal coil before assisting their young ones with metaphysical disembodiment.
We know Ragnarok is not your only choice for end of the world ideologies, so we doubly appreciate your choice to end the world with us, and we hope to make the experience as enjoyable for everyone as is possible. We hope you will fill out a short customer satisfaction survey which you will receive once you make it to the other side.
Words are magic. I mean this in a very literal sense, not as a metaphor. Words have changed the world, some would say the world was created with a word, as was life. When I write I am casting a spell, or attempting to.
If I do it right, there is a sequence, a certain combination of words arranged in a very particular order which will effectively transform the page, turn it into a mirror.
I think as much introspection and soul-searching and self discovery you indulge in, if you never attempt to put it down on paper where it can reflect back up to your eyes, you still have much to learn about yourself.
When I moved away from learning the fundamentals and experimenting with every aspect I encountered and really started to write, a window opened up through which I was finally able to see myself and face myself.
I think to some extent this is what all art attempts to do, to draw a mirror, to allow the world to witness its reflection and possibly learn, become wiser because of it. But the combinations change and do vary from person to person, so the job is never complete.
We must continue to cast our spells, find the new and ever altering patterns which unlock our perspective, and allow us to see ourselves and the entirety of existence hanging just out of sight behind the black ink structures we have laid upon the page.
© Robert Emmett McWhorter
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CAFELALIA
I turn to look for available seating and see that most of the people waiting in line are chanting in the odd cafelalia; some with tongues jutting from their mouths, some looking heavenward with eyes rolled into their heads. The entire shop is filled with a dull cacophony of nonsense. A few scattered patrons seem to roam around the perimeter of the tables in a trance.
~Coffee, MEOWING ON THE ANSWERING MACHINE
Anchored to this parking lot,
Where crisp snow piles on window ledges
Like kaleidoscopes of sunlight,
Or a spectrum for your head.
You’ll look out from your bedroom,
as I stumble with the keys.
Will you walk me to the overpass
when I’m crumbling to my knees?
Staring down the frozen river,
You’ll elevate the spectacle.
And I’m not going to argue,
It’s like they’ve always said,
When it rains, you see red,
When it snows, you’ll see where you have been.
Pull through and see,
That these seas aren’t quite as black
As the mud inside your head,
And you’ll never walk again.
Snoring and ignorant,
You refuse to meet me,
Our words are whispered into lampshades,
Growing dustier and yellow.
Go home and scream.
There’s no one here you can tell it to,
And what do you do?
But hope the rocking chairs
Don’t turn to reminisce.
Rolling and rolling,
Out of controlling.
You spin,
You begin in your spin,
To begin to retrace,
The face you’re replacing,
Pasting new memories within.
And once it would have worked,
And yes, I guess our stars,
Still happen to align.
And I know, and I know, and I know
And I hate to remember how that song went,
The one they say we sung,
But I can’t recall it any longer,
And you never knew the words.
But we tried to sing along.
And I’ll try to recognize
Your handwriting,
Against all the works of history,
And masterpieces forged.
Dreaming of the frigid water,
You’ll celebrate the evacuation.
And I swear I won’t get sick again.
It’s not like they never said,
When it goes, it goes your way,
Until you blink and it goes away,
And it’s the only thing you’ve known.
Angled into this unmarked spot,
At dawn the snow begins to melt
Transmission from our yellow star
The buzz informs you who you are,
As it creeps in through the window,
and I crumble to my knees.
Will you walk me to the overpass
Where we can drown this old disease?